Otherland

June 29, 1998
In his first work of SF, Otherland: City of Golden Shadow (1997), bestselling fantasist Williams (To Green Angel Tower) introduced one of the most impressive virtual-reality landscapes ever created. Otherland, a gigantic realm consisting of untold numbers of virtual universes, is the creation of the mysterious and evil Grail Brotherhood, a cabal of billionaire capitalists, ruthless gangsters and corrupt government officials. Bent on discovering the secret of eternal life, they will stop at nothing to achieve their goal, even the deaths of hundreds of children whose minds have been trapped on the Net. City of Golden Shadow told the story of a small band of virtual explorers who dared to enter Otherland without permission, some for adventure, others to save the children ensnared on the Net. In this second volume of a projected four-book series, the quest continues. As often happens with middle entries in a series, there are a few problems. Despite a six-page summary, readers unfamiliar with City of Golden Shadow may have trouble figuring out the complex backstory. Further, with little to tie the various plot threads together at either end, the book lacks an obvious structure. Still, Williams is an exciting and endlessly inventive writer whose character development is particularly strong, and his fans should roundly enjoy this volume while looking forward to the remaining installments. Editors: Betsy Wollheim and Sheila Gilbert.

July 1, 1998
Trapped in the top-secret virtual world known as Otherland, a small group of online explorers travel along a river of possibilities in search of a way back to the real world. This sequel to OtherWorld: City of Golden Shadow (LJ 11/15/96) delivers a kaleidoscopic array of dreamscapes and nightmare worlds that form a setting for a complex tale of conspiracy and betrayal. Williams displays a prodigious talent for spinning multiple variations on a theme as he alternates between real and virtual worlds. This fast-paced, ambitious blend of fantasy and sf belongs (along with its predecessor) in most fantasy collections.

May 15, 1998
Williams' Otherland saga straddles the line between sf and fantasy. Otherland, in which imagination can create everything, is implicitly the result of advanced twenty-first-century science. On the other hand, Otherland operates, once Williams sets it going, as much by magical concepts as by natural ones. This second volume in the series presents the adventures of a small band of hardy, even heroic folk who have broken the Grail Brotherhood's barriers to entering Otherland and are hoping to open the place to the common run of humankind. In the course of this part of its journey, the band encounters--to cite only a few of the book's exciting features--giant insects, advertisements coming to life, postholocaust worlds, and treachery from a Grail Brother within their own ranks. Williams depicts the band's adventures vividly, sometimes giving them a satirical edge, sometimes a didactic one, and sometimes both, but he piles the satire and instruction on so that the characters sometimes seem crowded nearly offstage. Also, even in this age of the multivolume yarn and even though this one is the work of a powerful imagination and high-class world builder, this particular book would have profited from trimming. So it is not the ideal place to start learning about either megasagas or Williams. But it is a powerful story and indubitably absorbing reading for fantasy lovers, especially those with long attention spans. ((Reviewed May 15, 1998))(Reprinted with permission of Booklist, copyright 1998, American Library Association.)

Starred review from April 9, 2001
This stunning finale to the gigantic Otherland tetralogy (City of Golden Shadow, etc.), a brilliant fusion of quest fantasy and technological SF, is sure to please Williams's many fans. Otherland, a complete universe co-existent with the real world, incorporates elements of the Arabian Nights, the Alice and Oz books, the Neanderthal Age, the Trojan War, rewritten Roman history (Hannibal returns three centuries after his death to crush Rome, without elephants), as well as numerous nursery rhymes and fables. An enormous cast of courageous humans confronts monstrous insects, unimaginable dangers and all the appurtenances of fantastic adventure. At nearly 700 pages this is a mighty mouthful to swallow, but a well-crafted if convoluted plot sustains interest through the lengthy climax, which explains the inexplicable. Those scenes grounded in a recognizable world are the most compelling. Individuals may live in both worlds, despite Otherland being only made of "light and numbers." Characters dead in real life can still be alive in the virtual world, as in the poignant plight of a young woman, whose dress and manners are 18th century, who's in love with a young man snatched, apparently, from the trenches of WWI. Are they real or "sims" (simulations)? Generously, the author supplies two
master villains: one for whom we may begrudge some respect; for the other, no mercy. The Otherland books are a major accomplishment. Agent, Matt Bialer. (Apr. 10)
Forecast:Williams should enjoy another run up the genre bestseller lists with this strong concluding volume.

Starred review from December 30, 1996
When Renie Sulaweyo's younger brother, Stephen, returns from the Net after visiting Mister J's, a virtual reality equivalent of the Hellfire Club, she's worried about him. When his next Net trip leaves him in a coma, Renie is terrified and angry. Soon she discovers evidence that other children have lapsed into comas under similar circumstances. A professor of computer science and an adept user of the Net, Renie retraces Stephen's trail and enters Mister J's but barely escapes with her own mind intact. After her adventure, she discovers that someone has downloaded into her computer the impossibly complex image of a fantastic golden city. Then her apartment is fire-bombed, she loses her job and another professor whom she has recruited to help her decipher the mystery is murdered. It's clear that Renie has angered someone with almost unlimited power, but she remains determined to save her brother. In the first book in what is projected to be, in effect, a single, enormous four-volume novel, Williams (Memory, Sorrow and Thorn) proves himself as adept at writing science fiction as he is at writing fantasy. His 21st-century South Africa, where blacks run the government and pursue careers but where whites control most economic power, rings true. His version of the Net, although obviously indebted to Neal Stephenson's Snow Crash and other novels, is detailed and fascinating. Best of all, however, are Williams's well-drawn, sympathetic characters, including Renie and her family, her student !Xabbu, the mysterious invalid Mister Sellars and a host of other folk, all of whom hope to solve the mystery of the terrifying VR environment called Otherland.