一九七九年被列為十大傑出詩人之一的葉維廉，早期的詩繁複磅礡，有一種橫跨太空的驅勢，複旨複音以龐大的交響樂結構推進，震撼、迷惑了不少讀者。中期從道家的空白美學中提昇出語言虛實和空間佈置的策略，促使早期 的複雜轉化為一種「窪則盈」的外延。近期的詩，細緻綿密，有一股深邃的抒情的聲音，借著一種隱約微顫的樂句，帶動如在目前演出演化的情與景，其間滲著一種哲思，清泉似的緩緩流出來。
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