本书以"艺术与解构"为核心思路，以语言的起源问题和文字学的研究为辅，对法国著名哲学家、解构主义思潮的创始人德里达的三部重要作品——《绘画中的真理》《使画面疯狂——论安东尼·阿尔托的素描与肖像作品》《盲者的记忆——自画像及其他遗迹》，从整体上进行了细致的分析和阐释，廓清德里达的思想背景和理论渊源，以此借一种客观公正的立场来看待其思想的多样性和深刻性。
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