人之間的關係不一定從陌生進展為熟識,從熟識向陌生,同樣是正常進展。這段經歷在穗子多年後來看,就像一個怪異的夢,所有人都在那天成了生人。
傷害、被傷害,背叛、被背叛,親情、友情、愛情都成了幻影一般,空虛的存在,無情是種讚美,造就了人心向惡的時代。一幅少年嚴歌苓的印象派寫真、一部最接近作者個人經歷的小說──一個關於穗子的故事。
人之間的關係不一定從陌生進展為熟識,從熟識向陌生,同樣是正常進展。這段經歷在穗子多年後來看,就像一個怪異的夢,所有人都在那天成了生人。
傷害、被傷害,背叛、被背叛,親情、友情、愛情都成了幻影一般,空虛的存在,無情是種讚美,造就了人心向惡的時代。一幅少年嚴歌苓的印象派寫真、一部最接近作者個人經歷的小說──一個關於穗子的故事。
人之間的關係不一定從陌生進展為熟識,從熟識向陌生,同樣是正常進展。這段經歷在穗子多年後來看,就像一個怪異的夢,所有人都在那天成了生人。
傷害、被傷害,背叛、被背叛,親情、友情、愛情都成了幻影一般,空虛的存在,無情是種讚美,造就了人心向惡的時代。一幅少年嚴歌苓的印象派寫真、一部最接近作者個人經歷的小說──一個關於穗子的故事。
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