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The Girls from Corona del Mar

A novel

Audiobook
1 of 1 copy available
1 of 1 copy available
“Why did Lorrie Ann look graceful in beat-up Keds and shorts a bit too small for her? Why was it charming when she snorted from laughing too hard? Yes, we were jealous of her, and yet we did not hate her. She was never so much as teased by us, we roaming and bratty girls of Corona del Mar, thieves of corn nuts and orange soda, abusers of lip gloss and foul language.”
 
An astonishing debut about friendships made in youth, The Girls from Corona del Mar is a fiercely beautiful novel about how these bonds, challenged by loss, illness, parenthood, and distance, either break or endure.
Mia and Lorrie Ann are lifelong friends: hard-hearted Mia and untouchably beautiful, kind Lorrie Ann. While Mia struggles with a mother who drinks, a pregnancy at fifteen, and younger brothers she loves but can’t quite be good to, Lorrie Ann is luminous, surrounded by her close-knit family, immune to the mistakes that mar her best friend’s life. Then a sudden loss catapults Lorrie Ann into tragedy: things fall apart, and then fall further—and there is nothing Mia can do to help. And as good, brave, fair Lorrie Ann stops being so good, Mia begins to question just who this woman is, and what that question means about them both.
A staggeringly honest, deeply felt novel of family, motherhood, loyalty, and the myth of the perfect friendship, The Girls from Corona del Mar asks just how well we know those we love, what we owe our children, and who we are without our friends. 
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    • AudioFile Magazine
      There's an ordinariness to this unfolding story about two best friends who are growing up and growing apart. Rebecca Lowman portrays both characters with equal skill. Mia thinks of her best friend, Lorrie Ann, as more than an ordinary girl: In Mia's eyes, Lorrie Ann is beautiful and pure. Lowman's steady pace emphasizes Mia's strong identity, but moments of obvious jealousy come through. When Lorrie Ann's life takes a turn for the worse, Lowman deftly dramatizes Mia's attempts to mask her shock and dismay at her friend's life choices. Lowman provides a beautiful narration as two young women come of age. T.E.C. © AudioFile 2014, Portland, Maine
    • Publisher's Weekly

      April 14, 2014
      The divergent paths of two girls raised in a Southern California beach town plot the course for Thorpe’s affecting debut novel. Mia, who recounts the story of their friendship as an adult, had always cast herself as the “bad one” to Lorrie Ann’s “good one”: “She was beautiful... but I was sexy.... We were both smart, but Lorrie Ann was contemplative where I was wily, she earnest and I shrewd. Where she was sentimental, I became sarcastic.” Secrets like lost virginity and an abortion cemented their bond, but high school graduation sent the young women in opposite directions: Mia went to Yale, and on to Istanbul to study the Sumerian goddess Inanna; Lorrie Ann had a shotgun marriage, and then became a young Army widow, caring for her disabled son, eventually turning to drug addiction to cope with it all. When Lorrie Ann turns up barefoot on Mia’s doorstep in Istanbul, Mia hardly recognizes her; she can’t make sense of the way her seemingly flawless friend’s life has panned out. Thorpe unflinchingly examines the psychological tug-of-war between the friends, and delves in to the pro-choice debate and issues relating to medical malpractice to give the personal narrative heft. The result is a nuanced portrait of two women who are sisters in everything but name. 75,000-copy first printing.

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  • English

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