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Moving Target

Audiobook
1 of 1 copy available
1 of 1 copy available

""When your read this, I'll be dead...""

These are the troubling words Serena Charter's grandmother has written on a note accompanying four pages of a centuries-old illuminated manuscript delivered after the old woman's passing.

Seeking clues to the mystery laid out before her, Serena turns to Erik North, a reclusive manuscript appraiser with a passion for the past. Erik's examination of the vellum pages raises perplexing questions – about Serena's legacy, the possible location of the remainder of the manuscript...and the senseless murder of an eccentric old woman.

Suddenly, Serena and Erik find themselves in the center of a firestorm that rages between two worlds...a past long dead yet living on in an ancient text and a contemporary landscape fraught with terror. Now, there is no one they trust except each other as they get closer to a shocking revelation about what is really at stake and how far a killer will go to possess a vanished treasure.

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    • AudioFile Magazine
      Maria Tucci's deep, rich voice brings Elizabeth Lowell's novel to life. The pace and variation of her voice transition the listener from the developing love story to the tenuous relationship between the Serena and her grandmother and the competition for possession of an old family manuscript. The complications of love and greed are as interwoven in the text as the embattled manuscript. Maria Tucci expertly guides the listener from scene to scene and makes it easy to follow the surprising subplots. Her relaxed pace encourages the listener to sit back and enjoy. S.K.P. (c) AudioFile 2004, Portland, Maine
    • Publisher's Weekly

      July 2, 2001
      Romantic suspense/historical romance luminary Lowell (Midnight in Ruby Bayou, etc.) returns with a love story–cum–mystery that skips from the British Isles to the California desert, and from the cruel rituals of the ancient Druids to the even crueler practices of modern art collectors. In a familiar plot refreshed by historical and artistic detail, Lowell's modern lovers hear echoes of past lives. When her grandmother falls victim to arson, weaver and free spirit Serena Charters inherits a charred cabin, a piece of cloth, a warning to trust no one and eight pages from a brilliantly illuminated Celtic manuscript. Serena sends copies of the pages to two appraisers who recognize it as the Book of the Learned, passed down for centuries through the first-born women of Serena's family. One appraiser, Norman Warrick, a curmudgeon billionaire surrounded by the greedy relatives and toadies of the House of Warrick, claims the pages are fraudulent, but stops at nothing to acquire them. The second appraiser, Erik North, is a dashing art investigator as adept at cliff climbing as at deciphering archaic texts. Erik hides from Serena his longtime obsession with the book as well as his own family connections to it. Working with the ingenious researchers, negotiators and security specialists of Rarities Unlimited, a company devoted to the preservation of art, artifacts and the fortunes to be made from them, Erik offers to help Serena solve the murder of her grandmother and prevent her own while uncovering layers of history in the priceless palimpsest. But can Serena trust Erik or his employer? Lowell poses questions the reader can easily answer. Yet her evocation of the modern business of ancient artifacts is so sharp one can only hope she will bring back Rarities Unlimited for the inevitable sequel.

    • AudioFile Magazine
      Alyssa Bresnahan reads this tedious plot thoughtfully. The cat-and-mouse plot focuses on thieves and scoundrels within the great auction houses of the world, and attempts to ferret out the authenticity of four loose pages from an eleventh-century Celtic manuscript. The damsel-in-distress, Serena, and her knight in shining armor, Erik, feel they have met in other eras and shared other lives, when the early manuscript was intact. Bresnahan excels at superimposing haunted memory on modern melodrama, though her male and female characters are not always adequately differentiated. M.D.H. (c) AudioFile 2002, Portland, Maine

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  • English

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